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Ojamajo Doremi 05: Grand Opening! Maho-dou

It’s Maho-dou’s grand opening, and Doremi, Hazuki and Aiko are all up and ready! Majo Rika doesn’t seem too happy though with the image change of her shop. She still prefers the dark gloomy witch style as opposed to the cuteness of the decors and magic goods of the apprentices. So they wait and wait, but no customers seem to arrive despite them sticking out flyers all over. Suddenly a new guest ‘pops up’ in their closet… it’s Deradera! Deradera is a witch who specializes in trading goods. She offered the apprentices a nice cute magic cashier, for a price of course. Let’s just say that Majo Rika was forced to buy it. After that, they decided to go outside and attract some customers, in which they succeeded. Their first day of selling magic goods was quite fruitful, except for Doremi, she never sold a single item she made!

Meanwhile, Kotake, a friend/enemy of Doremi, is worried about something. Thinking about it, she stumbled on the Maho-dou, and was surprised to see Doremi and friends there. Kids aren’t allowed to do part-time jobs, so the apprentices were quick in denying that this was one. In any case, Kotake and Doremi are in quite a (love)hate-hate relationship, shouting at each other like crazy. Despite that though, Kotake actually bought one of her magic goods! Kotake leaves, and Majo Rika reappears from hiding and says that the boy is troubled by something. Usually the magic goods witches sell have some sort of lucky-charm effect on humans, not so sure about Doremi’s item though. Doremi was quite worried about Kotake, so she decides to follow him.

Kotake and Doremi continue to argue at the street though. They never seem to get along, and so Kotake ran away. Doremi is still worried though, and so she used her magic and followed him in secret. Kotake went to an abandoned warehouse, where a puppy appeared. Actually, Kotake is taking care of this puppy in secret. His main worry was that he could not tell his parents about it, that they may think that he is not responsible enough to raise a pet. Suddenly, a fat cat arrives and steals the food Kotake was giving. The puppy chased it inside the warehouse, but then the puppy fell in a hole. Kotake also fell trying to reach the puppy. They are in trouble now, with wet cement falling down the hole. Doremi tries to act fast, using her magic to save Kotake, but the the cement turned to ice! Magic fail… so then she tries again. She tried to cast a spell on a rope, but it entangled her instead! She’s getting desperate, but somehow her final spell tumbled down some drums, and Kotake climbed those to safety.

Kotake decided to talk to his parents about the puppy, because he can’t leave it in such a dangerous place like that. The next day, Doremi and friends saw that Kotake had been keeping the pet in the house already. Guess that Doremi’s magic item has some kind of effect after all.

This episode focuses on Kotake. Doremi and Kotake have a very cute love-hate relationship with each other, and the theme carries on ALL throughout the entire series. Deradera was introduced as an always-singing witch. She pops up every now and then to sell items which Doremi and friends like, much to the dismay of greedy Majo Rika. The Maho-dou and the magical goods they sell play a very central theme . Sometimes the magic goods serve as symbolisms to the stories and character issues the series will raise.

Ojamajo Doremi 04: It’s Not Scary If We’re All Witches

Summary:
Doremi got found out! She’s scared to be a magic frog, so she drags Hazuki and Aiko to Majo Rika’s shop. Eventually Hazuki and Aiko learn about the witch Majo Rika, fairy Lala, and how Doremi is actually a witch apprentice! Doremi also discovers that she’s not gonna be a magic frog because she’s not a witch yet, but just to make sure, Majo Rika wants the two to be witch apprentices too!

And so she gave Magical Taps to Hazuki and Aiko, and Doremi taught some magic basics. She apparently likes the ‘senpai’ notion, although she’s still the worst when it comes to magic. She tries to move something, which turns out to be a knight statue! After the chaos, Majo Rika and Lala talk about the limitations of magic. First, reviving magic is prohibited, so you can’t bring a dead person to life, or you will die yourself. The same way with healing magic, because bad things may happen to you.

Majo Rika wants them to take the Level 9 exam already, but they lack Magic Beads. Lala’s supply is already empty, so Majo Rika goes to the magic world to buy some. Majo Rika also told them that they should work at the magic shop to earn money for some Magic Beads. Regular money won’t do, because they should sell magic goods.

While Majo Rika is away, Doremi, Hazuki and Aiko thought of redesigning the dark, gloomy magic shop to be bright and hip! They got Lala’s permission and proceeded. Coming back, Majo Rika was surprised, and was quite angry with the makeover, but she conceded anyway. And so Makihatayama Rika Maho-dou became Maho-dou!

Notes:
– Introductory episode for the two new witch apprentices. So let’s recap.
– Doremi has the magical affinity of the piano.
– Hazuki has the magical affinity of the violin.
– Aiko has the magical affinity of the harmonica.
– Doremi’s chant: Pirika Pirilala Popolina Peperuto!
– Hazuki’s chant: Paipai Ponpoi Puwapuwa Puu!
– Aiko’s chant: Pameruku Raruku Laliloli Poppun!
– Doremi’s motivation for magic is because she wants the [courage->doremi-01] to confess to a boy she likes.
– Hazuki’s motivation for magic is because she wants [something->doremi-02] for herself without being told by others.
– Aiko’s motivation for magic is because she wants to [help->doremi-03] her father out in daily chores. They are only two in their family.
– Any kind of healing magic is prohibited, as is raising someone from the dead. The repercussions are equally deadly.
– Witch apprentices need to take 9 levels of exams before they become full-fledged witches.
– When they pass Level 9, it seems that they will each have a fairy of their own!
– Magic Beads are not free, they can be bought in the magic world. Unfortunately human currency isn’t actually the same as theirs, but it can be used as long as the thing they (the apprentice witches) sell are magical goods.

Ojamajo Doremi 03: The Transfer Student From Naniwa! Aiko Debuts

Summary:
Aiko arrives in town. Doremi was walking to school with Hazuki when Aiko suddenly appears and plays a practical joke on her. So Doremi walked off with a bad mood. Seki-sensei told the class that there’s a new transfer student. Incidentally, it’s Aiko! She gets to sit behind Doremi, so she chats with her and Hazuki. Aiko says some rather rude things (but she never intends to be rude) to them, and they get quite agitated even more.

Walking home, Doremi happens to see Aiko shopping, so she follows her around. She was surprised that Aiko rode a taxi, so she used her magic to fly around, until she arrives at the Senoo residence. Aiko saw her and invited her in. Doremi met Aiko’s father, and saw that their family is actually cheerful and nice. Outside while eating, Aiko says that her father is always busy driving the taxi, that’s why she does many house chores. Doremi was impressed with Aiko and her father, but then asked about her mother. Aiko said that her parents are separated.

It’s almost Parents’ Day, where parents visit their children’s school and see them study at class. Aiko told Doremi that her father can’t come because of his job, and so Doremi tries to think of using magic to bring Aiko’s father to school. At first Doremi just told the father, but he was really busy. And so she decided to use magic to clone the father! Aiko’s clone father… cannot speak Kansai-ben! Failure for Doremi, but anyway she ordered to clone to go to the school later.

At school, Doremi was waiting for the clone to arrive, but he was kinda lost. Meanwhile, Aiko’s real father decided to go to the school anyway. He arrived, and Aiko was surprised. At first she was quite angry at Doremi for telling her father about Parents’ Day, but she realized that Doremi did this for her. Aiko started to cry with happiness, because this is the first time that her father had gone to school. They embraced each other, and the rest of the people there greeted them with a warm applause.

After that Aiko’s father drove off to go and work again. Afterwards, the “clone” father appeared before Doremi, Hazuki, and Aiko’s eyes! And it even vanished before their eyes! Hazuki and Aiko stared eerily at Doremi… oh no! Doremi’s secret is gonna be revealed!

Notes:
– Great episode. This actually is an example of how this anime can make the “magic” theme a mere secondary plot device, meaning it isn’t even important. Try to forget that Doremi used magic to follow Aiko, or to clone her father, and then you still will have a coherent plot to work on.
– I keep mentioning secondary characters like Tamaki and the SOS Trio. They will have their own episodes, don’t worry.
– Aiko came from Naniwa, which I think is a part of Kansai, which has a regional dialect called Kansai-ben, which is more popularly known as Osaka-ben.
– Aiko’s father drives a taxi for a living. The Senoo family is of the lower class, plus they are composed of father and daughter only.
– Aiko has no mother, meaning their parents are separated. We will be able to see her mother in future episodes.
– The very first touch of drama is in this episode. Pretty simple but effective, where Aiko was touched that her father visited her school.
– Doremi thinks that she’ll turn into a frog when her witch status gets discovered, but that’s not actually the case for her. Find out why next episode.

Ojamajo Doremi 02: I’m Gonna be Hazuki-chan!

Summary:
Doremi is enjoying herself. She has just become a witch apprentice! Majo Rika and Lala however tells her that the magical life isn’t too free. Magic Beads come at a price, so Doremi should work for the Maho-dou from now on. Doremi shrugged that for a while though and went straight to school.

Hazuki Fujiwara has a bit of a problem with her family, she can’t say what she wants. She always obeys her mother when picking the clothes she wears, for example, and she thinks that her family is not that great. She’s also quite envious at Doremi’s seemingly free lifestyle. Doremi also was envious of Hazuki because she’s rich and is able to eat steak everyday! When the two talked about it, it caused a bit of a fight amongst them. Yuki-sensei told Doremi that it will be fine, because Hazuki may just have some problems on her mind.

So Doremi went to Hazuki and they both apologized, friends again! Doremi asked if there was one wish she could grant, and Hazuki said that she would have liked to be like Doremi for a while, but it’s impossible without magic isn’t it? Well Doremi ran off and wore her magical costume! She appeared to Hazuki, saying that she’s “Doremi’s friend witch” (lol plothole). So she ‘transformed’ Hazuki into herself! And vice versa!

Hazuki (as Doremi) spent her day in the Harukaze residence, while Doremi (as Hazuki) spent her day in the Fujiwara residence. Chaos ensues. Doremi became too kind and formal in one family, and Hazuki became too rowdy in the other! Doremi/Hazuki must be sick! Their parents rushed each of them to the bed! Hazuki’s family even called an ambulance! Doremi and Hazuki realize that their families are quite worried. So after that stint, Doremi and Hazuki changed back to themselves. Hazuki, seeing that Doremi’s family was happy despite all the rowdyness and fighting, was now quite happy with her own family, which is equally kind.

Notes:
– Hazuki kawaii!
– Majorika and Lala also tells Doremi that she should take about nine “Level Exams” before she could be a full-fledged witch.
– Hazuki is good at violin.
– Doremi LOVES steak.
– Hazuki’s problem is that she can’t go against anything that her mother wants, because her mother is quite sensitive, and gets teary-eyed easily.
– Hazuki’s father is a drama director, and her mother is a interior designer. The Fujiwara family is of the high class, they’re quite rich.
– Doremi’s mother and father have frequent fights about the father’s fishing obsession, but it isn’t serious… I think.
– The Harukaze family is of the middle class, and thus Doremi’s mother may have issues on the father’s overspending in his fishing hobby, maybe that’s it.
– This anime is a very family-oriented show. It deals with various issues of ‘family’ of all kinds.
– IMO the best stories of family here are of the “disfunctional”, the case of Aiko Senoo. You’ll see her next episode.

Ojamajo Doremi 01: I’m Doremi! I’m gonna be an Apprentice Witch!

The beginning of a long, long journey!!

Summary:
Doremi Harukaze is the world’s most unlucky bishoujo… or so she says. She has crushes on many boys, including this one Igarashi-sempai, a soccer player. Meanwhile, another girl, Maki, bought a supposedly wish-granting ornament from a certain weird magic shop. She likes Igarashi-sempai too.

Unfortunately for Doremi, she can’t approach and confess to him. So she had this passing interest of magic and witches. So Doremi stumbles on this weird magic shop, inside is some creepy old lady. Since she read some witch book, Doremi immediately accused the lady… of being a “majo!” (witch). The old lady instantly turned into a frog! It’s a curse whenever humans discover that they are witches. The only way to turn her (Majo Rika) back is to make Doremi an apprentice witch! Doremi apparently likes the idea!

So armed with all she needs, she tries on her magic and flies to the soccer match Igarashi-sempai was playing in. She uses all sorts of magic to disrupt the game all for the love of Igarashi-sempai. But then the boy got injured in the leg! Lala (Majo Rika’s fairy) warns that healing someone’s wound will transfer the wound back to her. Maki wishes for it to heal, the ornament she bought reacted to her ‘wish’… and Igarashi’s wound got healed. In exchange, Maki was the one injured.

At the clinic, Igarashi and Maki confessed to each other, much to the surprise and disappointment of Doremi. Hazuki (Doremi’s best friend) reacted that she seems to be giving up. Oh well, she’s the world’s most unlucky bishoujo after all.

Notes:
– I’m introducing IMO the best anime series ever made. Pay attention.
– Take note of ALL the characters, they are NOT one-shot characters, they will appear again, trust me.
– Doremi’s chant is “Pirika Pirilala Popolina Peperuto”.
– Doremi has the magical affinity of the piano.
– Doremi is very energetic. If ever she grows up, she can be like Yankumi (Gokusen)… weird comparison? See why, soon.
– Humans don’t know witches exist. When a witch gets discovered by a human, they turn into Majo-gaeru (witch frogs), and they can never turn back unless the human culprit becomes a witch themselves and use some magic on them.
– Doremi becomes a Witch Apprentice. Apprentices must pass some tests before being a full-fledged witch.
– Magic limitation, you must NEVER use healing magic. Using it can have catastrophic effects, like transferring the wound to the magic caster… or even… death.
– The Porons have limited MP (as in RPG MPs), they need Magic Beads.

how the angel drowned my spark

dim the lights in your room
until your vision goes dark
let me tell you a story
how the angel drowned my spark

i went to a faraway land
filled with gold and milk and honey
in search of my life’s vices
wasting more of time and money

not knowing of their words and culture
i strive to understand
wanting to be like them
i try to comprehend

but they will always treat me different
they could never perceive me whole
i am left alone to feed
the hunger of my soul

until one day when she arrived
upon the heavens above
a fallen angel at my feet
to hold, to move, to love

but i not know the ways of love
as she smiles at a blank face
i cower my head down to hide
the isles of hidden disgrace

i am not a man worthy of gifts
yet she is wrapped in silk
in front of me a shining star
that sparkles the skin of milk

words were exchanged and understood
unlike the land of vices
i slowly detached myself from greed
and followed her advises

i became prepared to flee
and i was prepared to fly
leaving the innocence of my journey
beyond this sinful land’s sky

but the angel was nowhere in sight
and she never came back again
the life she led me, full of hope
only to falter in the end

i never knew what the meaning
why she was but never will
how temporary an entity is such
the angel never stood still

i then left this wretched land
and went back to before i wandered
i now asked myself who i am
but my question was never answered

and then i realized the whole truth
what the angel took away
my sight, my words, and my innocence
without my spark, i was astray

whatever i had i can never bring back
and so i could only move on
i walk to the next faraway land
in search of the hope beyond

and so my journey goes on
as i make another mark
i will never ever forget
how the angel drowned my spark

procrastination8: Da Capo II

After the powerful [first series->da-capo] and its less than impressive [sequel->da-capo-second-season], the popular bishoujo game franchise returns for yet another ‘da capo’ in anime form. Da Capo II the anime is actually made up of two 13-episode seasons, and I’m here to review both, although some may argue that the only one worth reviewing is Da Capo II Second Season. I think everyone knows by now how bad Da Capo II (first season) went, but I have another alternate reaction about it.

All along Da Capo II was probably really slated for 26 full episodes, but the producers deliberately cut it in half, maybe because of production/time constraints and TV broadcast conflicts. Assuming that is the case, Da Capo II, when taken as a whole, is an excellent anime overall. The problem is that viewers would tend to isolate the first season from the second. But do remember that the first Da Capo didn’t really hit its stride until after the latter half of its 26-episode run, and Da Capo II isn’t any different from that. If both seasons were taken as a whole, it makes more sense. The first half would be introductory episodes for everyone, and minor arcs for minor characters. The second half would make up the serious main arcs. This setup captures the essence of the first Da Capo anime, without those half-baked seiyuu music videos and side-stories.

So Da Capo II is around 50 years since the original, and the same city setting of Hatsunejima. We see that the sakura is unwithered all year round just like before, and the magic to grant wishes is starting to grow once again. Joining the Da Capo mythos are new characters, mostly descendants of the original set. First, Yoshiyuki is the ever-present boring male lead, and in twice the fun, he has two sisters, Yume and Otome Asakura (imouto and onee-chan complex). Sakura Yoshino returns as the eternal loli, while we see our original male lead Junichi as a grandfather, and Suginami… as the same freaking Suginami (a mystery?) The rest are the usual fare of male sidekick (Wataru), childhood friend (Koko), tsundere robo (Minatsu), loli know-it-all (Anzu), and school idol (Nanaka). Thank goodness we have a smaller cast, although too bad they didn’t capitalize on each one effectively.

The first season gave the limelight mostly to Koko and Minatsu, with a sad little spotlight to Nanaka. I’m quite surprised that they gave the love angle immediately to Koko. It was something worthy of praise especially with the annoying bishoujo cliche of having so many girls but not much romance. Koko was an underappreciated character in the game, so this is one point for the Koko fans. It was really a fair run during the Yoshiyuki-Koko relationship, and I feel that Yoshiyuki had more character in this first half, because he deteriorated a lot in the latter half (more on that later). Minatsu’s story starts its stride in a very accurate portrayal of her game scenario. But again, Minatsu is another underappreciated character. With those two getting so much attention, all the boos by fans came out of having almost no loving for Nanaka. She gets a few episodes but not much story. Towards the end, the Yoshiyuki-Koko separation is very expected, and many wonder how this season overall is da crapo because of no Otome and Yume in sight. Again I argue that if taken as a whole 26-episoder, this isn’t any different from CLANNAD and Kanon right? Kill a few arcs from the start before going to the main juicy stories.

In any case, fans rejoice at the announcement of Da Capo II Second Season, where the much-awaited Otome and Yume stories are expected to be shown. This is really where the series shined like no other, the animation was consistent, and the music is atmospheric. But where it really hit the mark is how they gave the baton to not only Otome and Yume, but also Sakura as well. If one didn’t play the game, this is a welcome surprise, as Sakura is really central to the plot. This solid mixture of Otome, Yume and Sakura’s game scenarios is one for the history books. The pace is excellent, and the drama is endearing to watch. Classic Da Capo like never before, and it “almost” dethroned the original in terms of magical emo drama… “almost”. Because I have a fundamental nitpick… Yoshiyuki. Yup, again the male leads tend to spoil all the fun. Yoshiyuki in this second season lost his character, and he is more faceless than ever before. We see Otome, Yume, Sakura, and even the minor cast pouring out all their love for him, and yet I can’t see that he deserves it. He accepts everything at face value, and his smiles seem so empty. Even when Yume and Otome confessed their love, he seemed too naive. Why not show a bit of affection? Not even sisterly love? I know that it is a good decision to get rid of some romantic aspects so that Yume and Otome are treated as equals instead of rivals, but I can’t see how Yoshiyuki loves even ‘both’ of them, not even as sisters. He’s so emotionless here, and he acts indifferent. And the ending which is essentially a deus ex machina is expected, but with an unlikable character such as Yoshiyuki, the experience is somewhat cheapened. I’d rather have it end at episode 12, where he is completely gone.

That’s a nitpick that doesn’t take away the magic of this anime though. The rest of the anime is so solid that it deserves a second sitting. It was really a good run, deserving of the original Da Capo standard. If you liked the original Da Capo, you’ll definitely love this one. It extends the bishoujo-dorama genre upward to new heights of quality.

procrastination8: Densha Otoko

I’ve been through a lot of internet forums and message boards. They are all out there for people to connect. There is no exception, no limit as to what topic can be discussed, as long as you find the appropriate forum for your subject of interest. Most of the time, complete strangers and familiars can log on, chat and share their thoughts and experiences. Despite this though, I never would think that this is a window to change one’s life.

Maybe I’m still too green at this, but really, serious talk has been revolving around message boards ever since it began. For example, I’m not interested to search for them, but most probably there are chat messages about someone who wants to attempt suicide, and the other people in the forum try to convince the person not to do so. I read somewhere that someone in a message board was able to predict the events of the 9/11 bombings, leading to controversy and many people trying to extract more information about the matter. Quite heavy stuff isn’t it? Well let’s put that aside and focus on a similarly serious but not deadly matter… love problems.

I’m very, very sure that many people turn to the internet message boards and tell complete strangers about their love problems, hoping that someone could give them advice. Of course, results may vary. Now, Densha Otoko is a jdorama delving quite closely about this subject, on how a guy successfully gained the courage to date a girl with the help of complete strangers in a message board. Quite a generic story if you ask me, but why did this Densha Otoko make such an uproar in Japan? Having not only a TV series, but also a movie, manga, and novel of the same name, Densha Otoko is the talk of the town. Why is it so popular? Well, I watched the series to find out myself.

I think the magic of the series lies on its improbability. As some of you describe, some Japanese otakus are so focused on their fandom, that they even ignore society. As a result, most of them don’t have a lovelife. What are the odds of someone like that getting the girl of his dreams? Not likely. But Densha Otoko is a story about an otaku guy who successfully gained the courage to date and confess to a girl with the help of complete strangers in a message board. Each

procrastination8: Higher Definition Loli Technology

[Higher Definition->]
[Loli Technology->]

Somehow the title doesn’t make sense eh? Well, for me it means that because of further advances in technology, we are not only able to make things smaller, we are seeing smaller things become more awesome. Let me start first with the current status of video.

LOW DEF
Well, believe it or not, VCD quality video is still being used, but for the digital age. With YouTube leading the wave of streaming video, we still have a horrible bottleneck of internet services for consumers. While there is already an HQ and HD mode for YouTube, I don’t think it’s being used that often. Most broadband subscribers are still stuck on low internet speeds, even below 384kbps, in our country at least. Well, for the developed countries, their problem is not so much the speed, it’s the ongoing [war on yarrr->bluemist-anime-blog-pirated-edition-7-release-candidate] and also download cap limits. Because of these little annoyances, we can’t get rid of low resolutions in video.

STANDARD DEF
Of course, for ones who have the bandwidth, they can enjoy TV-quality video right now. Also, the DVD industry is still flourishing as ever, despite the HD standard already being defined as I will mention later. In the anime side, I’m quite surprised that this format still stays. I thought anime fans are techie enough to want higher definition video. The new standard in fansubs seem to be multiple-format releases. Let’s say one group releases the same episode both in HD form (usually 720p) or SD form (usually 480p). Sometimes there’s even an xvid version for the real slowpoke computers.

HIGH DEF
The energy is here. People are starting to notice the visual difference. Blu-ray won, creating the video disc standard. Unfortunately, high prices will make this format lag, especially with the current economic climate. Well, call me an early adopter, but I “do” have a Blu-ray drive on my PC. I only have a few movies, but I can tell you… it’s awesome! This is the quality I wanted ever since, and a high threshold for years to come. Another unfortunate thing is the slow adoption of this format in anime as well. Only few anime are being released in the high def format. At least my all-time favorite is available in Blu-ray, albeit in an extremely impossible price. Someday my Sakura-chan, someday.

procrastination8: The Shounen Patterns

I’m quite particular when it comes to shounen anime. It’s hard to follow a shounen series because most of which have hundreds of episodes, and so oftentimes I find myself having a major backlog. In fact, I dropped most of the series I follow in this genre. After a while, I start to get bored of the formula. In this article I would try to look at the patterns of shounen series based on the very few of them I watched, and hopefully I could discover the aspects about it that either makes me go “AWESOME” or go “zzzzz”.

STRONGER AND STRONGER
One of the most typical patterns of shounen would be this one. The heroes and protagonists would generally become stronger, ergo their opponents will become stronger too. There are a variety of ways of showing this, like having local or small-scale tournaments and fights first, then on to bigger and national or international tournaments and fights. Slam Dunk would fall on this formula quite nicely, as the story tries to revolve on reaching each tournament one at a time. Naruto, while having no formal tournament, features stronger opponents over time. It was its downfall for me though, in that as the series progressed, the skill levels rose from being tactical ninja to just a bunch of super fantastic powers. A mix of both would be in Prince of Tennis. We have tournaments and a skill curve that started to become more ridiculous as episodes go by. We have all heard of the fireball tennis shots by now.

BACKSTORY
Many shounen series can revolve on the past in order to give some meaning and motivation to whatever a character may be doing right now in the present. There are examples of these in any shounen anime, but a shining example of it would be in One Piece. This is a great epic journey because even if you have sheer length of story and many characters, the backstories and flashbacks are very effective in bringing drama and emotion. I think I can remember Rurouni Kenshin having effective past stories on it as well. With this kind of formula a series may never get old because there would be a fresh story everytime a new character arrives.

MONSTER OF THE WEEK
New characters can be annoying though sometimes, especially when you don’t flesh them out too much or too often. Inuyasha has these annoying story arcs that feature new heroes and enemies, but more often than not those characters only last for a few episodes or chapters. Inuyasha is a filler series for much of its run, there’s not much story advancement for its length. Tsubasa Chronicle suffered from this a bit, though they do give plot revelations from time to time. Unfortunately, the anime didn’t hook me up because it’s too Beetrain-yawny.

Sometimes a shounen series’ shortness would be quite annoying too, because there is really no room to flesh out characters. A very familiar example would be current anime Saki. It featured interesting characters ALL AT ONCE on one big arc, and now the anime has nowhere to go because it had exhausted the manga content already. Saki shouldn’t have been animated this early I think.

ONE BIG ARC
This is a rare breed which I only encountered in Fullmetal Alchemist. This series doesn’t seem to be divided into arcs, everything revolves on the fight of the humans vs. the superhumans over there. I like it that the story really progresses rather that stopping itself for a diversion like a backstory or a monster-of-the-week.